What was Edward Steichen known for?

Photography
Painting
Edward Steichen/Known for

What type of photography was Edward Steichen known for?

Steichen immediately embraced celebrity, fashion, and advertising photography. At Condé Nast, Steichen began to use artificial light sources, high contrast, sharp focus, and geometric backgrounds—techniques borrowed from fine-art and stage photography—which gave his images a fresh, unprecedentedly modernist feel.

What influenced Edward Steichen?

As an artist, Steichen was greatly influenced by prominent Impressionism painters such as George Fredrick Watts (English, 1817–1904) and Claude Monet (French, 1840–1926). His training as a painter played a major role in the success of his career as a photographer.

What did Edward Steichen do after he gave up painting?

In 1947 Steichen gave up his artistic practice and became director of the photography department at the Museum of Modern Art (MoMA), where in 1955 he organized the Family of Man exhibition.

Why is Edward Steichen important to photography?

In 1904, Steichen began experimenting with color photography. He was one of the earliest in the United States to use the Autochrome Lumière process. In 1905, Stieglitz and Steichen created the Little Galleries of the Photo-Secession, which eventually became known as 291 after its address.

What were Edward Steichen’s contributions to the Photo-Secession?

The Legacy of Edward Steichen Steichen’s place in the pantheon of photographic greats was secured as a young man through his contribution to three interlocked bodies: the Photo-Secession group; Camera Work and the 291 Gallery.

Did Edward Steichen burn his work?

Steichen saw the beauty of clearly focused photography and by 1920 he completely rejected Pictorialism, burned his paintings and devoted himself entirely to modernist ideas.

What did Edward Steichen contribute to photography?

Where did Edward Steichen work?

Commissioned a lieutenant commander in 1942, Steichen became director of the U.S. Naval Photographic Institute in 1945; there he oversaw combat photography and organized the exhibitions Road to Victory and Power in the Pacific.

What famous artist mentored Edward Steichen early in his career?

In 1900 White wrote to Stieglitz to suggest he meet with Steichen. The meeting was a success; so much so in fact, Stieglitz become Steichen’s early mentor and collaborator.